5.0 法语 · 2008 · 法国 · 剧情片
阿莱克斯·德斯卡,玛缇·迪欧普,Nicole Dogué,格莱戈尔·科林
不是巧合，相依為命公主动画片的父女、愛酒的父親、起眼的道具，都衝着小津而來。Claire Denis（《影舞者瑪德》）獻給小津之作，如果不說，你只能認得出運鏡如寫詩的簽名樣式，也不會知道兩人可以這麼近。憂鬱的藍夜，迷宮似的公路網，交織樓韩剧网免费韩国电视剧韩剧在线观看房之間的地鐵路軌，高超的場面調度先寫孤寂的城市個性，然後人物放進去，不用多話，戲便自然在了。不放心女兒的父親，不想去愛的女兒，宛如親人的鄰里，凝聚成親和力極強的世界，展開連綿故事。小津會認同：生命有時，人要懂得放下。
6.0 法语 · 2020 · 法国 · 剧情片
内详
Made during confinement, “In My Room” plunges u数码宝贝第二部s into the poignant story of a woman at the twilight of her life, through recordings of the director新婚祝福语简短上档次’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
3.0 其它 · 2019 · 法国 · 剧情片
阿卜杜·巴尔德,艾敏纳特·卡纳,伊布拉西马·姆巴耶,艾玛杜·孟波,玛姆·比内塔·索恩,Diankou Sembene,Nicole Sougou,Babacar Sylla,Traore
一群无薪的建筑工人们妻子的诱惑出海去异国寻找更好的生活，却一夜之间在海上消失了，被他们留在达喀尔的女人们则饱受莫名高烧之苦。17 岁的艾达私下为爱人苏雷曼（去世的工人之一）而哀悼，但是她已经被许配给另一个男人。她的新婚之夜发生了一场大火，随后一名年轻的警察被派去调查案情。但他不知道的是，这些愤愤不平的工人们回来了，而且已经变成了阴魂不散的、占有欲极强的幽灵。他们中的许多人都是为自己的不公待遇报仇，而苏雷曼却是出于不同的目的，他想要见艾达最后一面。下水道的美人鱼
2.0 其它 · 2013 · 法国 · 纪录片
Magaye Niang
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyan电影大全g travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which dea马东锡的电影ls with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.